Dance
Styles Explained..
Bolero is
a unique dance style combining
the patterns of Rumba with
the rise and fall technique
and character of Waltz and
Foxtrot. The music is 4/4
time, and is danced to the
slowest rhythms of the latin
ballroom dances (the spectrum
runs Bolero, Rumba, ChaChaCha,
Mambo). The basic rhythm of
steps in patterns, like Rumba,
is Slow-Quick-Quick.
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Cha Cha
is an offshoot of the Mambo.
In the slow Mambo tempo, there
was a distinct sound in the
music that people began dancing
to, calling the step the "Triple"
Mambo. Eventually it evolved
into a separate dance, known
today as the Cha Cha.
The dance
consists of three quick steps
(triple step or cha cha cha)
and two slower steps on the
one beat and two beat.
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The Foxtrot
was the most significant development
in all of ballroom dancing.
The combination of quick and
slow steps permits more flexibility
and gives much greater dancing
pleasure than the one-step
and two-step which it has
replaced. There is more variety
in the fox-trot than in any
other dance.
Variations
of the foxtrot include the
Peabody, the Quickstep and
Roseland foxtrot. Even dances
such as the lindy and the
hustle are derived to some
extent from the foxtrot.
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Jive is
an American dance that evolved
from a dance called the Jitterbug
by removing the lifts and
acrobatic elements. The Boogie,
Rock & Roll and the American
Swing also influenced this
dance. Jive is the faster
version of the swing. People
use a more bouncy type movement
using the balls of the feet
a lot. A lot of kicks are
used in jive. It is a very
fast, energy-consuming dance.
It is the last dance danced
at the competitions.
The Jive is danced to music
written in 4/4 time. The same
time value (6 beats in 4/4
time) is used for single,
double or triple jive. The
difference in rhythm is determined
by the number of steps, according
to the speed of music.
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Lindy Hop,
also known as Jitterbug, is
the authentic Afro-Euro-American
Swing dance. It is an unabashedly
joyful dance, with a solid,
flowing style that closely
reflects its music -- from
the late 20's hot Jazz to
the early 40's Big Bands.
Just as Jazz combines European
and African musical origins,
Lindy Hop draws on African
and European dance traditions.
The embracing hold, and the
turns from Europe, the breakaway
and solid, earthy body posture
from Africa. The dance evolved
along with the new swing music,
based on earlier dances such
as the Charleston and the
Black Bottom, by black people
in Harlem.
Lindy Hop
is a social dance. Partners
are connected smoothly and
gently to each other, while
relating closely to the music,
in feeling, improvisation
and phrasing. The core tempo
range is 120-180 beats per
minute.
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The fusion
of Swing and Cuban music produced
this fascinating rhythm and
in turn created a new sensational
dance. The Mambo was originally
played as any Rumba with a
riff ending. It may be described
as a riff or a Rumba with
a break or emphasis on 2 and
4 in 4/4 time.
In most
Rumba based dances, you commence
your steps on the 2nd beat
of the music and change weight
from one leg to another between
the beats. In Mambo your feet
only move on the second, and
fourth beats, the change of
weight which gives the dance
its look and feel occurs half
way through the second, third
and fourth beats. On the third
beat you are simply rocking
back/forward before the change
of weight, so while there
shouldn't be any foot movement,
this is still referred to
as a step.
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With monotonous
thumping 1-2-3-4 bass drum
beat, all steps are on one
beat and have a characteristic
appearance. Sometimes this
step called paso "de
la empalizada" (pole-fence
step).
Partners
hold each other in closed
position and do walks sideways
or circle each other, in small
steps. They can further switch
to a double handhold position
and do separate turns never
letting go each other's hands.
During these turns they may
twist and tie their handhold
into intricate pretzels. Other
choreography is possible.
Although
the tempo of the music may
be frantic, the upper body
is kept majestic and turns
are slow, typically four beats/steps
per complete turn.
In US social
dancing the "empalizada"
style is replaced by exaggerated
Cuban motion.
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Paso Doble
is a lively Spanish style
of dance in duple meter that
was developed in France. Paso
doble means "two step"
in Spanish. This dance is
based on music played at bullfights
during the bullfighters' entrance
(paseo) or during the passes
(faena) just before the kill.
The leader of this dance plays
the part of the matador and
the follower plays the part
of the matador's cape.
Paso doble, like Samba, is
a progressive International
Latin dance. The paso doble
is the Latin dance most like
the Standard International
style, in that forward steps
are taking with a heal lead,
the frame is wider and more
strictly kept up, and there
is significantly different
and less hip movement.
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Quickstep
is an International Style
ballroom dance that follows
a 2/4 or 4/4 time beat similar
to a fast Foxtrot. This dance
gradually evolved into a very
dynamic one with a lot of
movement on the dance floor,
many advanced patterns include
hops, runs, quick steps with
a lot of momentum, and rotation.
The tempo of quickstep dance
significantly increased, especially
in ballroom competitions,
due to the extensive use of
steps with eighth note durations.
While in older times quickstep
patterns were counted with
"quick" and "slow"
steps, many advanced patterns
today are cued with split
beats, e.g., "quick-and-quick-and-quick-quick-slow".
Quite in
contrast to the slowfox or
the waltz, the quickstep often
has patterns or sequences
that have a duration of multiples
of measures as well as containing
patterns with an extra half
measure, creating a shift
of the emphasis from beat
one to beat three and vice
versa.
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The word
Rumba is a generic term, covering
a variety of names (i.e.,
Son, Danzon, Guagira, Guaracha,
Naningo), for a type of West
Indian music or dancing.
The native
Rumba folk dance is essentially
a sex pantomime danced extremely
fast with exaggerated hip
movements and with a sensually
aggressive attitude on the
part of the man and a defensive
attitude on the part of the
woman. The music is played
with a staccato beat in keeping
with the vigorous expressive
movements of the dancers.
The "Son"
is a modified slower and more
refined version of the native
Rumba. Very small steps are
taken, with the women producing
a very subtle tilting of the
hips by alternately bending
and straightening the knees.
The American Rumba is a modified
version of the "Son".
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Salsa is
danced to music with a recurring
eight-beat pattern, i.e. two
bars of four beats. Salsa
patterns typically use three
steps during each four beats,
one beat being skipped. However,
this skipped beat is often
marked by a tap, a kick, a
flick, etc. Typically the
music involves complicated
percussion rhythms and is
fast with around 180 beats
per minute.
Unlike Foxtrot
or Samba, in Salsa a couple
does not travel over the dance
floor much, but rather occupies
a fixed area on the dance
floor.
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Sa
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Sa
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Sa
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Or
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Sa
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Sa
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Waltz music
is written in 3/4 time, with
three equal beats to the measure.
The first note of each measure
is stressed, or emphasized.
Dancers must learn to hear
the stressed note, which indicates
the count of one or a "boom".
The three counts of "one
two three" may be counted
verbally as "boom cha
cha".
In the waltz,
each count has a related foot
movement. Despite the stress,
however, each note is of equal
duration. The waltz was the
first dance to use the closed
position for any extended
period of time.
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Or
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